You Could Write A Joke In The

I Like Doing Live Things And Plays. You Can Perfect The Laugh Or Extend The Laugh, You Can Get Them On A Roll. Versus Improv, Which I Hate. Put It All Together. They're More Vignettes. Improv Makes Me Slightly Anxious Because I Feel For Them.

To Me, The Musical Is Best When It's A Musical Comedy. So If You Have A Very, Very Funny Show, And Very Good, Funny Songs, That's What The Musical Does Best.

You Initially Become Funny As A Kid Because You're Looking For Attention And Love. Psychologists Think That's All To Do With Mother Abandonment. I Think John Cleese Has His Depressions, And Terry Gilliam's The Same. All Of Us Together Make One Completely Insane Person.

You Could Feel The Place Going Crazy Because We Hadn't Been On Stage Together For Maybe 35 Years And The Audience Could Just Feel Us In The Darkness Come On And They Went Nuts. It Made The Little Hairs Stand Up On The Back Of My Neck And We Sang Sit On My Face, Which I Thought Was Wonderfully Appropriate For George's Memorial, And Then We Bowed And We Showed Our Bare Asses.

I Always Have A Feeling You Should Move The Playing Field And The Minute You Know What You're Doing, You're Wrong. Therefore, I Wanted Us Not To Try To Follow Spamalot Immediately, But To Do Something Different. This Is Perfect Because It Uses All The Same Skills, Like Story Telling And Lyric Writing And Music Writing, But It's Presenting It In A Different Form. And Of Course It Gives Me And John A Nice Chance To Perform And Show Off Which Is Also Fun.