My Mum And Dad Had Worked Incredibly

[while Voicing Cartoons] You Have To Lose Your Sanity And Inhibitions And Any Kind Of Dignity And Just Throw Yourself Around A Bit.

To Get A Horse To Hit A Mark Without A Rider, To Get It To Stand Up, To Get It To Rear, To Get It To Pick Up A Bucket And Bring It Over Is Amazing. It's Hard Work And Very Rewarding But Can Be Dangerous.

When Auditioning, I Try To Imagine That I'm The Only Person That They [directors] Are Seeing That Day Because It Can Be Overwhelming, In The Same Sense That It Could Be Overwhelming If You Try To Fulfil Everyone's Expectations Rather Than The People Closest To You In The Creative Process, Be It Your Director, Or Fellow Actors And The Writers. So, That's Kind Of It - I Try To Trick Myself Into Believing That No One Has Ever Gone There Before.

People Always Want To Knock You When You're Up.

Even In Cerebral Roles That Are Seemingly Intelligent And Nothing Else, I Think It's So Important To Wrap Your Characterization In A Physical Form As Well.