More Always Means Worse.

[science Fiction Is] That Class Of Prose Narrative Treating Of A Situation That Could Not Arise In The World We Know, But Which Is Hypothesised On The Basis Of Some Innovation In Science Or Technology, Or Pseudo-science Or Pseudo-technology, Whether Human Or Extra-terrestrial In Origin. It Is Distinguished From Pure Fantasy By Its Need To Achieve Verisimilitude And Win The 'willing Suspension Of Disbelief' Through Scientific Plausibility.

[science Fiction Is] That Class Of Prose Narrative Treating Of A Situation That Could Not Arise In The World We Know, But Which Is Hypothesised On The Basis Of Some Innovation In Science Or Technology, Or Pseudo-science Or Pseudo-technology, Whether Human Or Extra-terrestrial In Origin. It Is Distinguished From Pure Fantasy By Its Need To Achieve Verisimilitude And Win The 'willing Suspension Of Disbelief' Through Scientific Plausibility.

Only A World Without Love Strikes Me As Instantly And Decisively More Terrible Than One Without Music.

The World That Seemed So Various And New, Well, It Does Contract. One's Burning Desire To Investigate Human Behavior, And To Make, Or Imply, Statements About It, Does Fall Off. And So One Does Find That Early Works Are Full Of Energy And Also Full Of Vulgarity, Crudity, And Incompetence, And Later Works Are More Carefully Finished, And In That Sense Better Literary Products. But . . . There's Often A Freshness That Is Missing In Later Works--for Every Gain There's A Loss. I Think It Evens Out In That Way.

Death Has This Much To Be Said For It: You Don't Have To Get Out Of Bed For It. Wherever You Happen To Be They Bring It To You—free.