If It Starts To Drag On Set,

So Far, I've Only Sailed In The Caribbean. I've Sailed The Virgin Island And The Grenadines. I Liked All That. We Charted Some Really Crummy Boats In The Grenadines. That Made For An Exciting Sailing Trip (laughs) When Everything Goes Well. When Everything Goes Well. When Sails Rip, Engines Freeze Up And You Find There Are Organisms Growing Inside The Diesel, It's Terrible And Amazing Stuff.

I Knew That's Where I Was Going. I Knew We Were Going To Italy. You Couldn't Make This Movie In America At This Price. I Knew It Was Going To Be Big. I Knew There Was Going To Be A Ship Involved And That There Was Going To Be A Set As Big As The Ship. I Thought, Well, Here We Go. But I Knew That Was Where He Was Headed. He Had Been Going This Way For Some Time. All Directors, Once They Have Some Success, They Want To Spend A Whole Heck Of A Lot Of Money. (something Else Can't Hear.)

People Usually Go Through A Bad Period When They First Get Successful. You're New And You're Hot And Things Go Wrong.

Half Of The People In This Room Are More Dressed Up Than On Any Other Day In The Year, And The Other Half Are More Dressed Down.

When I Started, The Scripts Weren't As Good, And You'd Have To Have A Huge Burst Of Energy To Go, "sheesh, How Am I Going To? This Stuff's No Good." So You'd Have To Improvise Something Or Create Something Or Try To Work With The Ware And Try To Figure Out, How Do You Make This Visually And Orally Acceptable, Entertaining? Nowadays, The Scripts Are Just So Much Better, That You Don't Have To Feel That Way. You Feel Like The Script's Coming To You, You Can Just Relax. You Don't Have To Drive The Boat.