I Do Think That When You Make

I'm Definitely An Anomaly, But I'm Making Things. They're Selling, Say, Martinis, And I'm Kind Of Making Vintage Riesling. People Aren't Going To Sit There Very Often, Not Your Average Public, And Your Average Music-business Monster Is Not Going To Take The Time To Notice The Overtones And The Undertones Inside The Flavor. They'd Rather Just Have The Martini.

My Job Is To Be Some Sort Of Music/lyric Psychic, To Figure Out That That's The Right Song To Not Fight The Lyric.

With A Song, It Only Takes A Couple Of Minutes To Go Back To The Beginning And Try It Again To See If It Works. The Novel Freaks Me Out Because, What If You Get Into The Eighth Chapter And Think, 'let's Go To The Top And See If This Works Again? It's Going To Take Me Three Weeks.' I'm In Awe Of That.

I Think People Use Temp Music Quite A Bit, But The People Who Write The Temp Music Don't Ever Really Learn That Their Music Was Inspiring A Movie.

If You're Afraid They Might Discover Your Redneck Past, There Are A Hundred Ways To Cover Your Redneck Past.