Eternal Nothingness Is Fine If You Happen

People Think I'm An Artist Because My Films Lose Money.

I've Never Been Satisfied Or Even Pleased With A Film That I've Done. I Make Them, I'm Finished, I've Never Looked At One After. I Don't Like Them Because There's A Big Gap Between What You Conceive In Your Mind When You're Writing And You Don't Have To Meet The Test Of Reality. You're Home, You Write And It's Funny And Beautiful And Romantic And Dramatic, And Then You Have To Show Up On A Cold Morning, And You Don't Have Enough Of This And This Goes Wrong And You Make The Wrong Choice On Something And You Screwed Up And You Can't Go Back.

Once The Movie's Over, There's Not Much Point. When The Thing Is Edited, Mixed, And Color-corrected, And You've Finished It... In My Case, I Never Read Anything About It, I Never Think About It.

I Think Bergman's Films Have Eternal Relevance, Because They Deal With The Difficulty Of Personal Relationships And Lack Of Communication Between People And Religious Aspirations And Mortality, Existential Themes That Will Be Relevant A Thousand Years From Now. When Many Of The Things That Are Successful And Trendy Today Will Have Been Long Relegated To Musty-looking Antiques, His Stuff Will Still Be Great.

To Be A Film Director Is Not A Democracy, It's Really A Tyranny. You're The Head Of The Project, For Better Rather Than Worse. I Write The Film And I Direct The Film, I Decide Who's Going To Be In It, I Decide On The Editing, I Put In The Music From My Own Record Collection.