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A Successful Object Is One Which Exists Beyond Its Own Reality, Which Creates A Dual (and Not Merely Interactlve) Relation (with Its Users Also), A Relation Of Contradiction, Misappropriation And Destablilisation.

One Can Speak Of An Alterity Of Desire - A Paradigm Defined Outside The Tired, Tacitly Accepted Regime, But One Comes Up Short When Attempting To Posit A Framework Of Desire Beyond Available, Known Desires.

We Are No Longer In A State Of Growth; We Are In A State Of Excess. We Are Living In A Society Of Excrescence. The Boil Is Growing Out Of Control, Recklessly At Cross Purposes With Itself, Its Impacts Multiplying As The Causes Disintegrate.

Art Does Not Die Because There Is No More Art. It Dies Because There Is Too Much.

This False Distance Is Present Everywhere: In Spy Films, In Godard, In Modern Advertising, Which Uses It Continually As A Cultural Allusion. It Is Not Really Clear In The End Whether This 'cool' Smile Is The Smile Of Humour Or That Of Commercial Complicity. This Is Also The Case With Pop, And Its Smile Ultimately Encapsulates All Its Ambiguity: It Is Not The Smile Of Critical Distance, But The Smile Of Collusion