You Usually Get One Or The Other,

I Go Through A Lot Of Bad Stuff, Because Most Of The Stuff That's Written Is Pretty Bad. But Occasionally Something Comes Along That's Good, And I Want To Do It.

I Love Kimberly Peirce. Incredibly Intense Is A Good Way Of Describing Her. Brutally Honest. Really Sharp. She's A Director For Actors. That's What She's Best At, Sitting Down With An Actor And Just Getting To The Heart Of What A Scene Is. And Getting To The Heart Of Not Just What The Scene Is And The Character Is, But What You Are, And How To Build That Bridge Between The "me" And The Character, And Those Emotions.

I Have A Lot Of Trouble Getting Turned On By Girls Who Are Turned On By Celebrity.

I Think, Honestly, That The Word 'indie' Is A False Gimmick. 'independent' Used To Mean A Movie That Was Financed Outside Corporate Hollywood, But A Lot Of What Gets Called Independent These Days Is Totally Produced Within That System. And There's Nothing Wrong With That.

It's Nice To Not Feel Like You're Just Re-enacting A Preconceived Moment, But There's Room For An Organic Feeling To Develop While The Camera Is Rolling. Even Amidst These Enormous Technical Productions, Chris [ Nolan] Always Prioritized Making Sure That Sort Of Spontaneous And Organic Feeling Could Happen At The Moment.