You Know What? Joy Is The Only

A Large Part Of How An Actor Works And Their Process Is The Stimulation Of What's Around You, And None More So Than In A Period Piece. This Is A Modern Piece, As Much As It Is Set In A Different Time, Age And Myth. If It Wasn't Relevant, It Wouldn't Have Been Made And We Wouldn't Be Putting Our Energy Into It. It's Relevant For Us Today Because, In Some Ways, It Throws Up A Mirror To All Of Us. As An Actor, You Get Stimulus And You're Effected By That, Whether It's Costumes Or Funny Beards Or Castles.

I Also Wanted To Have Fun With It. I Wanted To Have The Scope, Which I Felt Merlin Has, In His Machiavellian Bi-polar Way. He's Not To Be Trusted, Yet He Is Fighting For This Great Power And Is Really A Master, To Some Degree, In Orchestrating Camelot And King Arthur. He's A Strange, Dark Devious Character, And I Just Wanted To Have Fun, And Get Away From The Cloak And Long Beard And Pointy Hat.

I Love New Writing, New Blood, Modern Works By Unknown Writers.

I Don't Know What My Limitations Are Until I Reach Them. I Look For The Challenge.

I Love Life. I'm Fascinated By Human Behavior Because That Feeds Back Into My Work.