You Just Have To Be Classy At

Katie Dippold, Who I Wrote The Script With, She's Very Into Ghosts And All That. So I Go, "hey, Why Don't You Talk To Katie?"

There's Nothing Worse Than The Sequel That's A Letdown From The First Movie.

One Of The Many Things I Want To Do Is Dig Us Out Of That Hole So That Guys, In Particular, Can Go: "oh, Yeah. Those People Are Really Funny. I've Seen That Person. It's A Woman. They Are Funny."

Scripts Are A House Of Cards And You Can't Just Reach In The Middle And Pull Out The Middle Card Because The House Of Cards Will Fall Down. But At A Certain Point You Almost Have To Allow That House Of Cards To Get Knocked Down A Few Times Because You Need To Make It Sturdier. How Many Times Do You Hear, "no, That Doesn't Make Sense," Or "why Would This Happen?" That Was A Mistake. You Shouldn't Have Those Moments, Because The Moment You're Knocked Out Of The Story, Then You're Dead. And All You Can Go Is Moment To Moment,or Joke To Joke. And That's Gonna Wear People Out.

The Good Thing Is That I Really Think That American Television Is In Kind Of A Second Golden Age. Even Though There's A Lot Of Reality And All Those Contest Shows, Which Aren't My Kind Of Shows, The Scripted Stuff That's Going On Is So Good Right Now Because Of Basic Cable. Everyone Has Stepped It Up And Realised That People Like Quality.