When I Do The Music, I Make

I Like To Work My Camera As If It Were A Musical Instrument.

I Would Certainly Say That Films Like Time Code And The Loss Of Sexual Innocence Were Far More Rewarding To Me In Terms Of Being Able To Move Forward As A Filmmaker.

Then I Became Interested In Drama, And Almost By Accident, I Drifted Into Film.

I Am Intrigued Enough To Want To Continue, And Also To Try And Work With Companies Like Sony On Modifying The Cameras And Making Them More User-friendly And Efficient.

You Make Sure That There's A Structure That's Interesting For Them To Play On Top Of, Then Do Temp Versions And Try It On The Film. By The Time The Players Come To The Recording Session, I've Found What Works. So I'm Not Wasting Their Time.