But I Don't Have Such A Strong

When I Do The Music, I Make The Musicians Listen To What's Happening In The Film. That Way They Treat The Dialogue As If It Was A Singer.

The Power Of Sound To Put An Audience In A Certain Psychological State Is Vastly Undervalued. And The More You Know About Music And Harmony, The More You Can Do With That.

I Would Certainly Say That Films Like Time Code And The Loss Of Sexual Innocence Were Far More Rewarding To Me In Terms Of Being Able To Move Forward As A Filmmaker.

You Make Sure That There's A Structure That's Interesting For Them To Play On Top Of, Then Do Temp Versions And Try It On The Film. By The Time The Players Come To The Recording Session, I've Found What Works. So I'm Not Wasting Their Time.

Films Take Up So Much Time, And With Theatre, You Do Have To Plan A Period Of Time That You Can Be Free.