The Journalistic Photographer Can Have No Other

My Pictures Are Complex And So Am I. When I Am Almost Symbolistic In Writing, There Is A More Limiting Difference’s Of Accepting, While I Can Be Even More Complex In The Photographs And People Can Usually Accept Them Within The Framework Of Their Own Limitations Or Lack Of Limitations – There Is No Dictionary Meaning… They Can Look Up For The Photographic Image And Allow It To Confuse Them.

Negatives Are The Notebooks, The Jottings, The False Starts, The Whims, The Poor Drafts, And The Good Draft But Never The Completed Version Of The Work The Print And A Proper One Is The Only Completed Photograph, Whether It Is Specifically Shaded For Reproduction, Or For A Museum Wall.

I Am Constantly Torn Between The Attitude Of The Conscientious Journalist Who Is A Recorder And Interpreter Of The Facts And Of The Creative Artist Who Often Is Necessarily At Poetic Odds With The Literal Facts.

What's The Best Type Of Light? Why That Would Be Available Light... And By Available Light I Mean Any Damn Light Is Available.

Many Claim I Am A Photographer Of Tragedy. In The Greater Sense I Am Not, For Though I Often Photograph Where The Tragic Emotion Is Present, The Result Is Almost Invariably Affirmative.