Never Have I Found The Limits Of

Up To And Including The Moment Of Exposure, The Photographer Is Working In An Undeniably Subjective Way. By His Choice Of Technical Approach, By The Selection Of The Subject Matterand By His Decision As To The Exact Cinematic Instant Of Exposure, He Is Blending The Variables Of Interpretation Into An Emotional Whole.

I Think Photojournalism Is Documentary Photography With A Purpose.

I Am An Idealist. I Often Feel I Would Like To Be An Artist In An Ivory Tower. Yet It Is Imperative That I Speak To People, So I Must Desert That Ivory Tower. To Do This, I Am A Journalist - A Photojournalist. But I Am Always Torn Between The Attitude Of The Journalist, Who Is A Recorder Of Facts, And The Artist, Who Is Often Necessarily At Odds With The Facts. My Principle Concern Is For Honesty, Above All Honesty With Myself.

The First Word I Would Remove From The Folklore Of Journalism Is The Word Objective.

I Try To Take What Voice I Have And I Give It To Those Who Don’t Have One At All.