Pixar Is The First Studio That Is

Rollerball Is An Incoherent Mess, A Jumble Of Footage In Search Of Plot, Meaning, Rhythm And Sense. There Are Bright Colors And Quick Movement On The Screen, Which We Can Watch As A Visual Pattern That, In Entertainment Value, Falls Somewhere Between A Kaleidoscope And A Lava Lamp.

What In The World Is A Leave Of Presence? It Means I Am Not Going Away.

The Genius Is Not In How Much Stanley Kubrick Does In “2001: A Space Odyssey,'' But In How Little. This Is The Work Of An Artist So Sublimely Confident That He Doesn't Include A Single Shot Simply To Keep Our Attention. He Reduces Each Scene To Its Essence, And Leaves It On Screen Long Enough For Us To Contemplate It, To Inhabit It In Our Imaginations. Alone Among Science-fiction Movies, “2001'' Is Not Concerned With Thrilling Us, But With Inspiring Our Awe.

One, Don't Wait For Inspiration, Just Start The Damned Thing. Two, Once You Begin, Keep On Until The End. How Do You Know How The Story Should Begin Until You Find Out Where It's Going?

The Layout Was Griping, The Glide Is Awesome. Two Ten-inch Fins Up, Way Up.