A Few Actresses Have All But Set

One Sign Of A Great Actor Is When He Can Be Alone By Himself On The Screen, Doing Almost Nothing, And Producing One Of A Film's Defining Moments.

In The Vast Majority Of Movies, Everything Is Done For The Audience. We Are Cued To Laugh Or Cry, Be Frightened Or Relieved; Hitchcock Called The Movies A Machine For Causing Emotions In The Audience. Bresson (and Ozu) Take A Different Approach. They Regard, And Ask Us To Regard Along With Them, And To Arrive At Conclusions About Their Characters That Are Our Own. This Is The Cinema Of Empathy.

When I Write A Political Column For The Chicago Sun-times, When Liberals Disagree With Me, They Send In Long, Logical E-mails Explaining All My Errors. I Hardly Ever Get Well-reasoned Articles From The Right. People Just Tell Me To Shut Up. That's The Message: "shut Up. Don't Write Anymore About This. Who Do You Think You Are?"

Here Is A Children's Film Made For The World We Should Live In, Rather Than The One We Occupy. A Film With No Villains. No Fight Scenes. No Evil Adults. No Fighting Between The Two Kids. No Scary Monsters. No Darkness Before The Dawn. A World That Is Benign. A World Where If You Meet A Strange Towering Creature In The Forest, You Curl Up On Its Tummy And Have A Nap.

The Purpose Of Civilization And Growth Is To Be Able To Reach Out And Empathize With Other People... For Me, The Movies Are Like A Machine That Generates Empathy.