Battlefield Earth Is Like Taking A Bus

We Feel The Same Emotions For Our Ideas As We Do For The Real World, Which Is Why We Can Cry While Reading A Book, Or Fall In Love With Movie Stars.

When I Go To A Great Movie, I Can Live Somebody Else's Life A Little Bit For A While. I Can Walk In Somebody Else's Shoes. I Can See What It Feels Like To Be A Member Of A Different Gender, A Different Race, A Different Economic Class, To Live In A Different Time, To Have A Different Belief.

I Begin To Feel Like I Was In The Last Generation Of Americans Who Took A Civics Class.

In The Vast Majority Of Movies, Everything Is Done For The Audience. We Are Cued To Laugh Or Cry, Be Frightened Or Relieved; Hitchcock Called The Movies A Machine For Causing Emotions In The Audience. Bresson (and Ozu) Take A Different Approach. They Regard, And Ask Us To Regard Along With Them, And To Arrive At Conclusions About Their Characters That Are Our Own. This Is The Cinema Of Empathy.

When I Go To The Movies, One Of My Strongest Desires Is To Be Shown Something New. I Want To Go To New Places, Meet New People, Have New Experiences. When I See Hollywood Formulas Mindlessly Repeated, A Little Something Dies Inside Of Me: I Have Lost Two Hours To Boors Who Insist On Telling Me Stories I Have Heard Before.