People Have To Really Suffer Before They

Just Let Your Hand Drop; And Let Fate Decide For You.

If You're Not Drunk And Half Naked By This Point, You're Not Paying Attention.

People Don't Want Their Lives Fixed. Nobody Wants Their Problems Solved. Their Dramas. Their Distractions. Their Stories Resolved. Their Messed Cleaned Up. Because What Would They Have Left? Just The Big Scary Unknown.

My Books Do Have A Sort Of Romantic Community At The End - People Coming Together. But On A More Basic Level, I Always See Them As Being About Power, In The Same Way That Harry Potter Books Are Pitched To A Population Of Young People Who Really Have No Power.

I'm Always Looking For Context In Which People Tell Stories. In "fight Club" It's These Support Groups For Dying People, And Then In "choke" It's 12-step Recovery Groups. In One Novel It's Artists' Colonies, In Another Novel It's A Diary Form That Submariners' Wives Typically Keep So That When Their Husband Comes Back From Serving On A Submarine They Have An Accounting Of Their Spouse's Time. So I'm Always Looking For, Number One, A Non-fiction Context - Because You Can Tell A More Outrageous Story If You Use A Non-fiction Form.