Our Sense Of Self Is A Kind

A Lot Of Time, With Stories, I'll Start Out With A Title And Try To Dream Myself Into The Story That It Evokes - A Kind Of Subconscious Exercise In Which I'm Trawling For Some Kind Of Entryway Into Fiction.

The Kind Of Person I Find Myself Interested In Is A Cross Between Being Very Emotionally Complex And Very Immature. That's What I Felt I Was Like When I Was Younger.

I Usually Have More Than One Thing I'm Working On At Once -- I've Been Working On Three Different Novels. When I Get Stuck On One, I Hop Back And Forth. It's Sort Of Freeing: I Can Say I'm Abandoning This Thing That I Hate Forever And I'm Moving On To Something That's Good. I'll Find That I'll Go Back To [the Other Project] In A Day Or A Week And Like It Again. But That Moment Of Wanting To Trash Something -- That Virginia Woolf Moment When You Have To Be Stopped From Filling Your Pocket With Stones -- Comes Pretty Regularly For Me. Switching Is Probably A Good Thing.

I Would Say That All Short Stories Have Mystery Naturally Built Into Them.

A Novel Requires A Certain Kind Of World Building And Also A Certain Kind Of Closure, Ultimately. Whereas With A Short Story You Have This Sense That There Are Hinges That The Reader Doesn't See. I Would Say That All Short Stories Have Mystery Naturally Built Into Them.