It's A Disease Of Critics That Once

It's Much Harder To Write A Script That Involves Two People In A Single Location Than 20 People In 30 Different Locations.

Even The Most Elitist Director Or Author Who Claims That He Doesn't Care If His Works Are Seen Or Not, Then I Have To Think That He's Either A Liar Or A Hypocrite.

I Always Seek To Mobilize, To Call On The Imagination Of The Spectator. It's Well-known That The Images That Are Created By One's Imagination Are Far Stronger Than Any That I Can Show. In Fact, It's An Error, A Widespread Error In Mainstream Cinema, To Always Want To Show Things And To Depict Things.

I Try To Get Closer To Reality, To Get Close To The Contradictions. The Cinema World Can Be A Real World Rather Than A Dream World.

The Difficulty, Then, Is When You Create A Church, An Institution, And You Create A Dogma. When You Create An Ideology, That's The Danger. Communism, Too, Is A Beautiful Idea, But Millions Of People Died When Communism Became An Ideology.