I'm Interested In Seeing Films That Confront

Because I'm The Author Of My Screenplays I Know What I'm Looking For. It's True That I Can Be Stubborn In Demanding That I Get What I Want, But It's Also A Question Of Working With Patience And Love.

I Give The Spectator The Possibility Of Participating. The Audience Completes The Film By Thinking About It; Those Who Watch Must Not Be Just Consumers Ingesting Spoon-fed Images.

I Love Actors, Both My Parents Were Actors, And The Work With Actors Is The Most Enjoyable Part Of Making A Film. It's Important That They Feel Protected And Are Confident They Won't Be Betrayed. When You Create That Atmosphere Of Trust, It's In The Bag - The Actors Will Do Everything To Satisfy You.

It's Difficult Because You Can't Generalise About These Things. But In Essence, You Deal With Children As Simply As You Deal With Actors - You Have To Show A Certain Sort Of Respect. You Deal With Them Lovingly And Protect Them, But If You Protect Them Enough Then They're Open To Engage With What You Want To Do With Them.

My Films Are Intended As Polemical Statements Against The American 'barrel Down' Cinema And Its Dis-empowerment Of The Spectator. They Are An Appeal For A Cinema Of Insistent Questions Instead Of False (because Too Quick) Answers, For Clarifying Distance In Place Of Violating Closeness, For Provocation And Dialogue Instead Of Consumption And Consensus.