A Feature Film Is Twenty-four Lies Per

My Mother As A Young Girl Went Out With A Young Ss Officer And She Didn't Really Know What Was Going On - She Just Liked The Uniform. When He Told Her About The Things That He Did, She Was Disgusted And Broke Up With Him.

When Ideas Lead To Ideology, That's A Very Dangerous Thing. Ideology Then Leads To Creating The Image Of An Enemy, And It Leads To The Murder And Massacre.

If I Tell The Audience What They Should Think, Then I Am Robbing Them Of Their Own Imagination And Their Own Capacity Of Deciding What's Important To Them.

People Expect Me To Be Dark And Gloomy, Then Write That I'm A Jolly Chap, And After All, That Is What I Am. I Think It's A Case Of An Absolute Romantic Naivety That There Should Be A Parallel Between The Work And The Artist.

For Me, It's Always Difficult When A Historical Film Claims To Depict Or Represent A Reality That None Of Us Can Know, That Is Always Different. It's Always The Case. We Never Know What Happened Then. So My Approach With The Narrator Is To Question That, To Leave That Open, To Underline The Fact That This Is Uncertain.