A Feature Film Is Twenty-four Lies Per

It's More Enjoyable To Shoot In A Studio On A Single Location With Two Actors... If They Are Good.

There Are Really Two Types Of Laughter On The Part Of The Spectator. There Is The Laughter Of Recognition - Which Means Seeing Things You're Familiar With And Laughing At Yourself. But There's Also Hysterical Laughter - A Way Of Dealing With The Things We See That Upset Us.

It Could Be Fascist, Religious Or Political - It's Always The Same Model That Operates In These Circumstances, And It's That Which Is The Actuality Of This Film. Therefore, It's Not Specifically An Explanation Of German Fascism Because That Would Be An Impossible Thing To Do In Any Case.

I Make My Films Because I'm Affected By A Situation, By Something That Makes Me Want To Reflect On It, That Lends Itself To An Artistic Reflection. I Always Aim To Look Directly At What I'm Dealing With. I Think It's A Task Of Dramatic Art To Confront Us With Things That In The Entertainment Industry Are Usually Swept Under The Rug.

My Feeling, However, Is That Films That Are Open Are More Productive For The Audience. The Films That, If I'm In A Cinema, And I'm Watching A Movie That Answers All The Questions That It Raises, It's A Film That Bores Me. In The Same Way, If I'm Reading A Book That Doesn't Leave Me With Questions, Moving Questions, That I Feel Confronted With, Then For Me It's A Waste Of Time. I Don't Want To Read A Book That Simply Confirms What I Already Know.