It Seems An Obvious Thing To Say,

I Don't Listen To Music When I Write. I Need Silence So I Can Hear The Sound Of The Words.

Contemporary Culture In Pakistan, Just Like In America, Is Continuously Hitting Us With Scary Stuff. And So We Are Utterly Anxious. I Think That It's Very Important To Resist That Anxiety, To Think Of Ways Of Resisting The Constant Inflow Of Negative Feelings, Not To Become Depoliticized As A Result But To Actually Work Actively To Bring Into Being An Optimistic Future.

I Have A Funny Relationship To Language. When I Came To California When I Was Three I Spoke Urdu Fluently And I Didn't Speak A Word Of English. Within A Few Months I Lost All My Urdu And Spoke Only English And Then I Learned Urdu All Over Again When I Was Nine. Urdu Is My First Language But It's Not As Good As My English And It's Sort Of Become My Third Language. English Is My Best Language But Was The Second Language I Learned.

The Notion Of Love As A Potentially Destructive And Potentially Redemptive Human Force Is Something That Comes Across In All My Books.

We Are All Refugees From Our Childhoods. And So We Turn, Among Other Things, To Stories. To Write A Story, To Read A Story, Is To Be A Refugee From The State Of Refugees. Writers And Readers Seek A Solution To The Problem That Time Passes, That Those Who Have Gone Are Gone And Those Who Will Go, Which Is To Say Every One Of Us, Will Go. For There Was A Moment When Anything Was Possible. And There Will Be A Moment When Nothing Is Possible. But In Between We Can Create.