In Timing A Film, We Used To Assume That Sneaks Move Slowly. This Was Great For Animators-thirty-six To Forty-eight Drawings For A Single Step-but It Was Sheer Hell For The Pace Of The Picture. So The Rapid Tiptoe Was Invented.
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In Timing A Film, We Used To
Chuck Jones
In Timing A Film, We Used To Assume That Sneaks Move Slowly. This Was Great For Animators-thirty-six To Forty-eight Drawings For A Single Step-but It Was Sheer Hell For The Pace Of The Picture. So The Rapid Tiptoe Was Invented.
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