I'm Sure Many Writers Have These Strange,

In Not-for-profit Theater, You Don't Worry So Much About How The Audience Is Going To React. You Want To Make Them Absorb The Piece.

When You Know Your Cast Well And Their Strengths And Weaknesses, You Can Start Writing For Them, Just The Way Shakespeare Wrote For His Actors.

It Should Be Interesting To See Two Entirely Different Ways To Treat A Story, Geared For Two Entirely Different Kinds Of Audience.

Perpetual Anticipation Is Good For The Soul But It's Bad For The Heart.

Musicals Are — Particularly Musicals — Plays Also, But Musicals Particularly Are… The Last Collaborator Is Your Audience, And So You’ve Got To Wait ’til The Last Collaborator Comes In Before You Can Complete The Collaboration.