If You Don't Have A Basis On

I'd Say The Differences Are More Interesting Than The Similarities At This Point. Certainly No One Would Ever Mistake My Music For Steve's [ Reich].

Theatrical Times Are Different From Concert Times, To Put It Simply. Taking A Figure Like [mahatma] Gandhi And Setting Him On A Stage Requires Thinking About What Theater Is About And What The Whole Experience Is About And What We're Trying To Communicate In That Way, So You Get Into Certain Less Abstract Considerations.

Akhnaten Is Kind Of A Dark, Kind Of Mysterious Character. We Don't Know A Lot About Him - A Lot Of Information On Him Was Lost. But He Obviously Was A Kind Of Iconoclast Of Him Time. I Guess I'm Attracted To People Like That. Like [albert] Einstein Also, Who Radically Changed Our Way Of Thinking About The World We Live In.

Finally, Ultimately, You Write Music For Yourself. I Mean, I Need A Public, I Need People To Play, I Need Everything Else. I'm Not Working In Isolation. But Finally The Man That Writes The Music Is Alone. And I Have To Respond To Those Criteria Which Are Almost Like Inner Needs Or Inner Responses.

The Generation Of Composers That Are Just Preceded Me, People Like [karlheinz] Stockhausen, [pierre] Boulez, And, Well, [john] Cage For That Matter,[morton] Feldman ... That Was A Kind Of Experimental Music That Was Very Isolated. It Had No Real Public.