I Want To Make Things That Put

Basically, You're Still Sitting There Using Just The Muscles Of Your Hand, Really. Of One Hand, Actually. It's Another Example Of The Transfer Of Literacy To Making Music Because The Assumption Is That Everything Important Is Happening In Your Head; The Muscles Are There Simply To Serve The Head. But That Isn't How Traditional Players Work At All; Musicians Know That Their Muscles Have A Lot Of Stuff Going On As Well. They're Using Their Whole Body To Make Music, In Fact.

Whatever You Now Find Weird, Ugly, Uncomfortable And Nasty About A New Medium Will Surely Become Its Signature... The Excitement Of Grainy Film, Of Bleached-out Black And White, Is The Excitement Of Witnessing Events Too Momentous For The Medium Assigned To Record Them.

Robert Fripp And I Will Be Recording Another Lp Very Soon. It Should Be Even More Monotonous Than The First One!

In Terms Of What Has Been Happening Recently, There Have Been, I Think, Some Really Interesting New Instruments That Have Come Out That Sort Of Show Me The Direction Of The Future. Korg Has Introduced The - They've Had A Whole Series Now Of These Things Called Kaoss Pads. They're Wonderful Because They Do Get Your Muscles Working Again. And What Djs Do, Of Course, With Their Dj Turntables Now, The Cd Turntables, Which Have Pitch Change And Speed Change And Everything Else. They're Doing Something That I Think Is Interestingly Physical.

Songs That Don't Depend On Composition Depend Instead On Performance - So The Fire Has To Be There In The Playing.