I Think That It's Workshops, Honestly, That

I Was Known As A 35-mm Photographer With A View-camera Mentality.

In My First Class At The University Of Kentucky, My American Literature Professor Came In, And The First Sentence Out Of His Mouth Was "the Central Theme Of American Literature Is An Attempt To Reconcile What We've Done To The New World." Wrote That Down In My Notebook, And Thought, "what Is He Talking About?" But That's What I Think About Now. The New World And What We've Done To It.

A Very Big Part Of The Life Of A Photograph Is The Afterlife.

I Was Asked By A Student What My Most Significant Accomplishment Was At National Geographic, After Thirty Years, And I Said That My Career Came To An Appropriate Close, And I Still Loved Photography. Not Everybody Who Spends Their Career At Anything Ends Up Fascinated And Involved With It.

'woman On The Plaza,' With Its Distinct Horizon, Snow-like Surfaces, Wintry Wall, Stunning Sunlight, Sharp Shadows, And Hurrying Figure, Would Become The Most Biographical Of My Photographs - An Abstract Image Of The Landscape And Life Of Northern Ohio Where I Grew Up And First Practiced Photography.