I Often Think It Can Often Be

Comedy - Particularly The Frothy And Frivolous - Is Notoriously Neglected By Festivals And Awards. But It's Bloody Hard To Get Right.

If You're Playing Someone Who's Impeded By Fear, Or Shyness, Or Has Whatever Dysfunction Your Character Might Have, You Have To Achieve The Dysfunction First, Imaginatively, In Order To Play Someone Who Is Trying To Negotiate Their Way Out Of It.

There's No Point In It Unless It's A Story That You Really Want To Tell. It's A Nebulous Job. Unless You're Doing It Well, You're Not Doing Anything. And There Are A Few Of Those. It's Perfectly Possible To Be A Passenger On A Film Set Because If Somebody Else Has Written It, You Can Make Nothing Of That Role And That's Exactly What Bad Directors Do.

I Do Also Think It Eludes Genre A Bit - Not In Any Groundbreaking Way But You Can't Quite Call It A Comedy And You Can't Quite Call It A Romantic Anything. It's Not Quite A Drama Either Really. But It Has Elements Of All Those Things.

I Have A Great Deal Of Respect For The Craft, I Don't Know How Much Respect It Has For Me. But It's A Precision Process. Doing It On Stage Would Be, I Think, Terrifying. Doing It On Film Has Its Own Difficulties, Because Film Is Not Conducive To Spontaneity. You Might Have A Run Through And Get A Few Chuckles At Eight O'clock In The Morning, But You Don't Keep Laughing At The Same Thing All Day Long.