I Have The Same Problem As Edward

It Was Closer To Manual Labor Than Shooting A Film. I Always Think Of Something Michael Caton-jones Told Me: 'pain Is Temporary. Film Is Forever.'

The More I've Acted, I've Realised That I Have A) No Control Of And B) No Way Of Really Quite Understanding How People React To Anything I Do, Or Any Movie I Do.

I Have Learned From My Experiences In This Industry That There Is Absolutely No Way To Control People's Opinions On Your Performance In Your Movie. You Go Out There, Promote Your Film And Hope People Like The Work You Did.

I Suppose Playing An Older Man Is A Way Of Preparing Myself For Getting Older.

What I Do Is Whatever It Takes, It Takes. Sometimes You See A Scene Right Away And A Take Looks Great So You Might Print That And You Might Print A Couple More And Take Elements Of All Three. It Just Depends. You're Looking For The Highlights. You're Looking For The Best Elements Of The Scene, But Preferably You'd Like To Have One Good Take That Would Go All The Way Through.