I Don't Like Listening To My Music,

If Nothing Is At Risk, Nothing Is Established.

I Don't Like Listening To My Music, Not Even New Pieces. Generally, They Sound Pretty Much Like I Expected Them To Sound, So It's What I Wanted, And That's It.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

When I Left Europe In 1987 I Did So With The Thought That My Relevance As A Composition Teacher Would Benefit From A Certain Cool Distance To Certain Tendencies I Had Been Observing For Several Years With Increasing Disquiet.

In Any Case, The Fewer Boundaries That Exist Hindering Free Movement Between All Forms Of Articulate Human Cognition, The Better.