So: We're All Tired. Now What? Manuscripts

The Past Nine Years In San Diego Have Represented Such A Period Of Questioning.

The Idea Of 'machine Assemblage' Is, Especially, Very Alien To My Sensibility, Since It Suggests A Relative Indifference Of The Strata To One Another During The Process Of Construction.

There Would Seem To Be A Limit, Even For An Art Preoccupied With Boundaries And Transgressions, Beyond Which A Work Reaches Its Breaking Point And Becomes An Actual Failure, A Mere Experimentation.

Naturally Enough, I Couldn't Have Foreseen The Vast Sea Change Which Has Come Upon That Scene As A Result Of German Reunification And Associated Events.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.