So: We're All Tired. Now What? Manuscripts

I Would Not Say That I Was, These Days, A 'student' Of Philosophy, Although In My Youth I Was Quite Deeply Involved With Certain Aspects Of The British Pragmatists.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

I Don't Like Listening To My Music, Not Even New Pieces. Generally, They Sound Pretty Much Like I Expected Them To Sound, So It's What I Wanted, And That's It.

The Past Nine Years In San Diego Have Represented Such A Period Of Questioning.

Hence My Obstinate Emphasis On Stylistic Continuity From Work To Work Rather Than Specific Sibling Relationships Between The Individual Work And Other Members Of Its Stylistic 'family' In The World Outside.