I Don't Feel I'm Playing Villains All

Most Films Are Rooted In A Book Or A Comic Strip, But I Don't Go Out There Saying I Want To Do Adaptations.

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.

And Although I've Been Very Fortunate In The Film Work That's Come My Way, I Need To Get Back To The Stage. If I'm Away For A Maximum Of Two Years, I Feel Something's Wrong.

I Veer Away From Trying To Understand Why I Act. I Just Know I Need To Do It.

I Should Say, A Piece Of Advice That Was Given To Me Very Early On By The Principle Of Rada (royal Academy Of Dramatic Art) Which Is Where I Went. When He Auditioned Me, He Said, "your Speech, Monologue, Is Fine. It's Good. Yeah, I Think You Have Ability But You're Making It Happen. Don't Make It Happen, Let It Happen." And That's A Sort Of Subtle Shift I Think, As An Actor.