I Have A Lot Of Stuff I

I'm More Relaxed About How The Editing Process Will Create A Performance And That, In A Way, Gives Me A Sense Of Freedom.

The Tensions Between Authority And The People Need To Be Heard, Especially When They Are Suffering And They Can't Eat.

I Went Out To Mount Kilimanjaro, Which I Thought Was Very Beautiful, But There Were A Lot Of People There.

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.

There's A Challenge To Playing These Fantasy Figures Because They Are Fantasy Figures. You Have To Enter Into This Sort Of Imaginative World Of The Writer.