Failure Is An Option, Fear Is Not.

Don't Get Seduced By Your Own Stuff. Don't Get High On Your Own Supply. The Hardest Thing As A Filmmaker Is When You're Watching A Film That You've Worked On For Several Years. You Know Every Frame So Intimately That Holding Lots Of The Objectivity Of A New Viewer Who Has Just Seen It For The First Time Is The Hardest Thing. Every Aesthetic Decision You Make - And You Make Thousands Of Them Every Day, Have To - In Theory, Must Be Done From You Being A Blank Slate. You Almost Have To Run A Program, Like A Mind Wipe, Every Time You Watch The Movie.

Go Home, Pick Up Your Video Camera, And Make A Film.

I'm A Curious Guy. I Can't Turn Away From An Investigative Story, When It Comes To The Forensic Analysis. I've Done 33 Dives, To The Titanic Wreck Site. I've Spent Over 50 Hours Piloting Robotic Vehicles At That Wreck Trying To Piece Together What Happened During The Disaster. How The Ship Broke Up, Comparing The Historical Record With The Forensic Record. Documentaries Are Kind Of My New Life. I Love Documentary Filmmaking.

Getting The Audience To Cry For The Terminator At The End Of T2, For Me That Was The Whole Purpose Of Making That Film. If You Can Get The Audience To Feel Emotion For A Character That In The Previous Film You Despised Utterly And Were Terrified By, Then That's A Cinematic Arc.

Here's My Philosophy In Life: If There's A Fire, You Put It Out. If There's A Flood, You Fill Sandbags And You Build A Dike. You Roll Up Your Sleeves And You Get To Work.