Every Fear Hides A Wish.

Any Claim To Actual Identification As A Drama Must Rest Upon The Construction Of A Plot Independent Of The Assignment Of Affliction To The Protagonist.

How Can I Be Secure? Through Amassing Wealth Beyond All Measure? No. And What's Beyond Measure? That's A Sickness. That's A Trap. There Is No Measure. Only Greed.

At The Neighborhood Playhouse School Of Theatre, Sanford Meisner Said, 'when You Go Into The Professional World, At A Stock Theatre Somewhere, Backstage, You Will Meet An Older Actor, Someone Who Has Been Around Awhile. He Will Tell You Tales And Anecdotes, About Life In The Theatre. He Will Speak To You About Your Performance And The Performances Of Others, And He Will Generalize To You, Based On His Experience And His Intuitions, About The Laws Of The Stage. Ignore This Man!'

Characters On Stage, Like People In What We Refer To As "real Life," Do Not Speak To Reveal Themselves. They Do Not Speak To Conceal Themselves. They Speak To Get Whatever It Is That They Want. It Is The Only Reason They Speak.

They Say The Definition Of Ambivalence Is Watching Your Mother-in-law Drive Over A Cliff In Your New Cadillac.