Any Claim To Actual Identification As A

The Secret Knowledge Is There's Nobody Home But Us Chickens. The Constitution Was Written By A Bunch Of Regular Guys Who Tried To Get Together And Thrash Out A Contract Under Which They Could Get Together That Would Keep People Together.

Mixed Martial Arts Was Invented By Brazilians, Whose Families Had Been Trained By The Japanese. Those Brazilians Came To The U.s., Where Their Invention Was Bought Out, Gussied Up And Presented To The World, Which Found It Good.

Any Claim To Actual Identification As A Drama Must Rest Upon The Construction Of A Plot Independent Of The Assignment Of Affliction To The Protagonist.

The Popularity Of Disaster Movies Expresses A Collective Perception Of A World Threatened By Irresistible And Unforeseen Forces Which Nevertheless Are Thwarted At The Last Moment. Their Thinly Veiled Symbolic Meaning Might Be Translated Thus: We Are Innocent Of Wrongdoing. We Are Attacked By Unforeseeable Forces Come To Harm Us. We Are, Thus, Innocent Even Of Negligence. Though Those Forces Are Insuperable, Chance Will Come To Our Aid And We Shall Emerge Victorious.

The Avant-garde Is To The Left What Jingoism Is To The Right. Both Are A Refuge In Nonsense.