Contemporary Industrial Society Is Now Characterised More

Inasmuch As Art Preserves, With The Promise Of Happiness, The Memory Of The Goal That Failed, It Can Enter, As A 'regulative Idea,' The Desperate Struggle For Changing The World. Against All Fetishism Of The Productive Forces, Against The Continued Enslavement Of Individuals By The Objective Conditions (which Remain Those Of Domination), Art Represents The Ultimate Goal Of All Revolutions: The Freedom And Happiness Of The Individual.

One Will Only Be Free When One Plays And One's Society Will Become A Piece Of Art.

The Abbreviations (e.g. Nato, Un, Ussr - E.w.) Denote That And Only That Which Is Institutionalized In Such A Way That The Transcending Connotation Is Cut Off. The Meaning Is Fixed, Doctored, Loaded. Once It Has Become An Official Vocable, Constantly Repeated In General Usage, "sanctioned" By The Intellectuals, It Has Lost All Cognitive Value And Serves Merely For Recognition Of An Unquestionable Fact.

At The Highest Stage Of Capitalism, The Most Necessary Revolution Appears As The Most Unlikely One.

Dialectical Thought Understands The Critical Tension Between "is" And "ought" First As An Ontological Condition, Pertaining To The Structure Of Being Itself. However, The Recognition Of This State Of Being Its Theory Intends From The Beginning A Concrete Practice. Seen In The Light Of A Truth Which Appears In Them Falsified Or Denied, The Given Facts Themselves Appear False And Negative.