But Films Should Be Voyeuristic. What Else

When It Comes To Thinking About How A Character Talks, There Are Literary And Language Considerations. For Actors To Be Able To Differentiate Between Themselves And The Characters They Are Playing While At The Same Time Remain In Character And Spontaneous Requires A Sophisticated Combination Of Skills And Spirit.

In The First Place, I'm Pretty Thorough About Whom I Choose. I Instinctively Look For The Kind Of Actor Who Is Going To Be Trusting. There Are All Kinds Of Insecure People Out There Called Actors.

It Creeps Up On You And Becomes An Obsession. It Comes Out Of Watching A Million Movies.

I Know, That Trends And All Of Those Things And Formulae That Calculate What Audiences Want To See And What Audiences Don't Want To See And Various Other Demographic Demarcations Are The Eccentric And Ludicrous Prerogative Of Hollywood Studios. But Out There In The Real World - By Which I Mean The Rest Of The World Where We Make Truthful Organic Films, Independent Films Unimpeded By Interference - It's Not About All Those Sort Of Calculating What Is Commercial. It's About Wanting To Say Things And Saying Them In A Way That Will Get Through To People.

The Problem With The British Film Industry Is The Nervousness And Insecurity About - And Genuflection Toward - Los Angeles.