Big Cities Are Chaotic. And Chaos For

Of Course, It Gave The Studio An Enormous Power, Because I Don't Know Any Other Place Who Had That Skill With Images To Communicate With. And The Need Of These Kinds Of Images Are Even Greater Now Than They Ever Were Because We Are Losing Our Life Symbols.

I Always Admired Walt's Optimism. He Seemed To Know The Direction He Was Going To. When I Was At The Studio, I Remember He Kept Driving All Of Us Back Down To A More Fundamental Level All The Time.

The Colors I Choose There Was To Paint The First Hotel, The Disneyland Hotel. Because Of The Cloudy Sky We Had In Paris, It Had To Be A Particular Kind Of Color Who Will Fight Those Grey Days. And Also Something You Can See When You're Driving Up 'there It Is! We're Arriving!'

For Instance, Some Early Ideas For Florida Were Done Only Recently. The Idea Of A Little Village Was There From The Beginning And Now We Have This "celebration" Village. Same Thing For The Disney Institute. Walt Talked About This Idea In The Very First.

It's An Enormous Amount Of Work: There Are 28 Separate Buildings, And I Work On The Choice Of The Colors For Everything. Outside Colors, Balcony Colors, Etc.. And All Of This Has To Work Together, In Harmony.