The Park Achieved A Kind Of Reality.

I Did What We Call Dry For Wet Effects, Some Of The Miniatures Work And Two Animation Sequences.

This Music That Was Supposed To Only Come From Tapes Like In Any Restaurant. Something Would Happened. One Bird Will Start To Do A Little Jazz Thing, And Another Bird Will Start To Answer.

I Have Wanted To Be A Fine Artist Painter, And I Reached The Point In Art Schools Were I'd Like To Understand More About Images And How Images Communicate Information To People. And I Was Not Getting Very Far In That From My Professors.

I Helped Develop Disney's) Special Effects Department At That Time, Which Helped Very Much When We Worked On "20000 Leagues Under The Sea"

Even In China. Children There, Next To The Great Wall, Who Had Never Seen Mickey Mouse Responded. So The Studio Did Have That Skill To Communicate With Images.