Any Time I Break Up With Dawson

I Wasn't Very Funny Or Flashy, I Was Kind Of Boring.

I Felt That There Was A Beautiful Story [ In "all We Had"] To Be Told And One That Was Valuable And Also One That Was A Size That I Could Do As My First.

I Used To Get So Worried That If A Scene Didn't Go A Certain Way, Then It Was Horrible. But Then I Realized That It Was Better To Give The Director Options In The Editing Room Than Just Being Locked Into How It's Supposed To Be.

I Think It Was Around The Time Of Doing Those Shorts. [producer] Christine Vachon, I Had A Meeting With Her, And She Mentioned The Short, This Aol Short, And Asked If I Wanted To Do One. And Then The Next Step Was The "30 For 30," And Again That Boosted My Confidence Enough To Decide I'm Going To Do A Feature Narrative. And I Was Supported By My Agency, And [producer] Jane Rosenthal Has Been An Exceptional Friend, And She Produced "all We Had," She Encouraged Me To Do The "30 For 30."

My Norm For Watching Scary Movies, What I Love About It, Is When They Work And They Scare Me, Which Is Not That Often I'm Afraid. The More You Know The Genre, Your Taste Becomes A Little More Rarefied And You Take A Very Particular Route To The Type Of Movies You Like In The Genre. But I Still Get Scared.