You Know, I'm From Boston, And In

I've Always Wanted To Make A Big Apocalypse Movie. I Love 28 Weeks Later, I Think It's Great But Cell Is Totally Different. It's About People's Dependence On Technology, The Collapse Of Society And Watching Everything Fall Apart. That's Something I've Always Wanted To Do, Which I Believe It Can!

Quentin [tarantino] Called Me And Said: "yeah, You've Got To Be In My Movie. You've Got To Be In Death Proof." But He Made Me Audition. I Was Like: "dude, I Don't Even Want To Do This..." So I Left The Casting Of Hostel: Part Ii To Drive To Venice, Where Quentin Was Holding His Casting, And The Person Ahead Of Me Was Derek Richardson From Hostel 1 And He Was Like: "dude, What Are You Doing Here?" I Said: "don't Ask!"

Shooting At Quentin Tarantino Movie Was Like A Masterclass In Directing. Although I Went Back Literally Right Into Rehearsal, Started Shooting... While I Was Doing It I Had To Write My Grindhouse Trailer And I Added Two Days Of Shooting. My Brother Was Producing Hostel And The Grindhouse Trailer And I Was Like: "gabe, Just Figure This Out!"

The Scariest People Are Usually The Sweetest.

I Think That Horror Films Have A Very Direct Relationship To The Time In Which They're Made. The Films That Really Strike A Film With The Public Are Very Often Reflecting Something That Everyone, Consciously Or Unconsciously Feeling - Atomic Age, Post 9-11, Post Iraq War; It's Hard To Predict What People Are Going To Be Afraid Of.