You Can't Make A Movie About The

I Can't Really See How Anybody Could Be Particularly Optimistic About The Future In General Because We Are Destroying The Planet.

Because Of The Way That I Work With The Actors And Because A Scene Is Not In This Rigid And Literal Interpretation Of Something Written, I Can Constantly Change Stuff, Which Means I Can Get A Scene Absolutely Perfect, And Then When We Go To Shoot It, The Requirements Of The Shot Mean It Would Be Useful To Extend The Dialogue Or Take A Line Out Or Swap Things Around. So The Camera Doesn't Serve The Action. The Action Serves The Camera. That's Important. So It Becomes More And More Organic And Integrated.

But Films Should Be Voyeuristic. What Else Is A Film If You’re Not Snooping Into Somebody Else’s Lives?

As A General Habit And General Tendency, I Prefer Not To Bog A Piece Down With A Great Number Of Transitory, Contemporary References, Because In The End, I'm Concerned, Not In An Abstract Way, But An Actual Way, With Creating A World Which Has A Universality To It - Even Though What Goes On Is Made Up Of Texture And Detail, Contemporary Detail.

I Think It’s Important That Nobody Forgets That Although Hollywood Commercially Dominates The World Cinema, In Fact What Comes Out Of The Filmmaking Here Is Only A Tiny Slice Out Of The Massive Amount Of Operation That Goes On Around The World.