Without A Reader, I Cannot Write. It's

To Disguise Nothing, To Conceal Nothing, To Write About Those Things That Are Closest To Our Pain, Our Happiness; To Write About Our Sexual Clumsiness, The Agonies Of Tantalus, The Depth Of Our Discouragement-what We Glimpse In Our Dreams-our Despair. To Write About The Foolish Agonies Of Anxiety, The Refreshment Of Our Strength When These Are Ended; To Write About Our Painful Search For Self, Jeopardized By A Stranger In The Post Office, A Half-seen Face In A Train Window, To Write About The Continents And Populations Of Our Dreams, About Love And Death, Good And Evil, The End Of The World.

For Lovers, Touch Is Metamorphosis. All The Parts Of Their Bodies Seem To Change, And They Seem To Become Something Different And Better.

The Novel Remains For Me One Of The Few Forms Where We Can Record Man's Complexity And The Strength And Decency Of His Longings. Where We Can Describe, Step By Step, Minute By Minute, Our Not Altogether Unpleasant Struggle To Put Ourselves Into A Viable And Devout Relationship To Our Beloved And Mistaken World.

That's The Way I Remember Them, Heading For An Exit.

All Literary Men Are Red Sox Fans - To Be A Yankee Fan In A Literate Society Is To Endanger Your Life.