Why Do You Not Do As I

After I Had Been Studying With Him For Two Years, Schoenberg Said, ‘in Order To Write Music, You Must Have A Feeling For Harmony.’ I Explained To Him That I Had No Feeling For Harmony. He Then Said That I Would Always Encounter An Obstacle, That It Would Be As Though I Came To A Wall Through Which I Could Not Pass. I Said, ‘in That Case I Will Devote My Life To Beating My Head Against That Wall.’

Which Is More Musical: A Truck Passing By A Factory Or A Truck Passing By A Music School?

We Need Not Destroy The Past. It Is Gone.

As Far As Consistency Of Thought Goes, I Prefer Inconsistency.

It Was At Harvard Not Quite Forty Years Ago That I Went Into An Anechoic [totally Silent] Chamber Not Expecting In That Silent Room To Hear Two Sounds: One High, My Nervous System In Operation, One Low, My Blood In Circulation. The Reason I Did Not Expect To Hear Those Two Sounds Was That They Were Set Into Vibration Without Any Intention On My Part. That Experience Gave My Life Direction, The Exploration Of Nonintention. No One Else Was Doing That. I Would Do It For Us. I Did Not Know Immediately What I Was Doing, Nor, After All These Years, Have I Found Out Much. I Compose Music.