When It Moved To Friday Night It

The First Thing You've Got To Do Is Know Your Craft, And Then You Can Do Something Else With It.

You Know, Radio Was A Really Easy Way To Do The Shows. You'd Come In, Do A Read-through, There'd Be A Few Rehearsals, Then You'd Come The Night Of The Show And Do It In Front Of The Audience And Then Go Home.

I Think In Most Cases, If You're With Good People, Comedy Creation Happens Faster In Collaboration. That's How I Can Tell If It's A Good Collaboration: If It's Faster Than Me By Myself, Then It Works. If It's Slower Than Me By Myself, Then I Get Out Of The Room.

I've Got An Odd, Negative Bond With C. Montgomery Burns. He Reminds A Lot Of People Of Bosses They've Worked For. He Certainly Reminds Me Of Someone I'm Working For.

Sometimes, Songs Spill Out Of You Very Fast, And Sometimes You Have To Wrangle Them To The Floor. But The Same Thing Is True Of Comedy, Where Sometimes It Really Flows.