When I Look At A Digitally Acquired

One Of The Things You Do As A Writer And As A Filmmaker Is Grasp For Resonant Symbols And Imagery Without Necessarily Fully Understanding It Yourself.

The Problem With Big Films Is They Snowball Very Rapidly And You Can Never Pull Back. It's A Pipeline That Needs To Be Fed.

To Me, The Most Interesting Approach To Film Noir Is Subjective. The Genre Is Really All About Not Knowing What's Going On Around You, And That Fear Of The Unknown. The Only Way To Do That Effectively Is To Really Get Into The Maze, Rather Than Look At The Maze From Above, So That's Where I Sort Of Come At It.

It's Difficult To Keep Anything Fresh For An Audience These Days. With Technology Being What It Is People Seem To Know Everything There Is To Know About A Film Before You've Even Made It.

As Soon As Television Became The Only Secondary Way In Which Films Were Watched, Films Had To Adhere To A Pretty Linear System, Whereby You Can Drift Off For Ten Minutes And Go And Answer The Phone And Not Really Lose Your Place.