When I Had Been A Film Critic

Never Marry Anyone You Could Not Sit Next To During A Three-day Bus Trip.

In The Vast Majority Of Movies, Everything Is Done For The Audience. We Are Cued To Laugh Or Cry, Be Frightened Or Relieved; Hitchcock Called The Movies A Machine For Causing Emotions In The Audience. Bresson (and Ozu) Take A Different Approach. They Regard, And Ask Us To Regard Along With Them, And To Arrive At Conclusions About Their Characters That Are Our Own. This Is The Cinema Of Empathy.

When We Go To The Movies, We Identify With The Characters We See. That's Why We Go To The Movies; We Have A Voyeuristic Experience; We Have An Out Of The Body Experience. The Screen Is More Real Than Our Thoughts Are At The Moment We Are Looking At The Film And We Place Ourselves In The Place Of The People On The Screen, And When They Behave Nobly, It Makes Us Feel Noble, When They Are Sad And When They Have Lost Love, We Feel Sad; We Can Identify With That.

Horror Fans Are A Particular Breed. They Analyze Films With Such Detail And Expertise That I Am Reminded Of The Canadian Literary Critic Northrup Frye, Who Approached Literature With Similar Archetypal Analysis.

The Moment A Man Stops Dreaming Is The Moment He Petrifies Inside.