Whatever One Intends, The Work Takes On

I Think Almost Always That What Gets Me Going With A Story Is The Atmosphere, The Visual Imagery, And Then I People It With Characters, Not The Other Way Around.

Much Of What Happens In Love Always Is Really From Overheard Conversations In The Russian Tea Room. It's An Improvisation Of The Way Certain Hollywood Agents Think And Talk To Each Other.

Clichés So Often Befall Vain People.

Italics Provide A Wonderful Advantage: You See, Right Away, That The Words Are In A Rush. When Something Exists At A Slant, You Can't Help But Consider Irony.

Quite Often My Narrator Or Protagonist May Be A Man, But I'm Not Sure He's The More Interesting Character, Or If The More Complex Character Isn't The Woman.